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3:01pm Wednesday 7th May 2008
Go, Speed Racer, Go!" Based on the Japanese animated series, Speed Racer signals the return of Andy and Larry Wachowski, the publicity-shy brothers who pioneered 'bullet time' in The Matrix trilogy.
There are souped-up thrills here too, set in a retro-futuristic world of high-speed motor sport on outrageous racetracks littered with gravity-defying banks and stomach churning turns.
The Wachowskis put the pedal to the metal from the opening frame, conjuring a comic book universe of retina-searing colour and neon that seamlessly melds live action with digital environs.
Production designer Owen Paterson saturates the screen with every conceivable combination of rich, primary hues.
The Racer family home is a triumph of orange, turquoise and fuchsia, contrasting brilliantly with the hero's white leather jumpsuit.
On large format IMAX screens especially, this is a non-stop assault on the senses. Older viewers may want to take their sunglasses.
In a cute nod to the film's anime origins, the Wachowskis imagine fight sequences as frames of hand-drawn cartoons.
Technically at least, Speed Racer is a triumph, although frenetic editing reduces segments of some set pieces to a blur.
However, under the bonnet, the screenplay needs some fine-tuning to allow performances to stand out against all that spectacular, twinkling background detail.
Speed Racer (Emile Hirsch) is a demon behind the wheel of his Mach 5, designed by his father Pops (John Goodman); so good that Royalton Industries, run by the Machiavellian E.P. Arnold Royalton (Roger Allam), offers Speed a lucrative sponsorship deal.
The young driver declines on behalf of his father and mother (Susan Sarandon), determined to remain an independent and honour the memory of older brother Rex (Scott Porter), who crashed and burned during the notorious Crucible rally.
Royalton doesn't take rejection kindly.
"Racing has nothing to do with drivers, it's all about power and the unassailable might of money!" he rages, revealing that the Grand Prix, the holy grail of the World Racing League, has been fixed for years.
Determined to restore the tarnished reputation of the sport, Speed declares war on Royalton, aided by his girlfriend Trixie (Christina Ricci), the mysterious Racer X (Matthew Fox) and rival driver Taejo Togokhan (Rain).
Speed Racer is a high-octane, turbo-charged blast for kids, with enough breathtaking action sequences to satisfy even the most demanding adrenaline junkie.
Unfortunately for experienced drivers, the Wachowskis forget to put sufficient genuine emotion in the tank and their film is several laps too long at 135 minutes.
Hirsch, Sarandon and co play their roles with absolute seriousness while Allam's pantomime villain is almost as much fun as Speed's trouble-seeking little brother Spritle (Paulie Litt) and his animal sidekick Chim-Chim.
This is very much a spectacle for the entire family. An encounter with a ninja death squad is played for laughs and when Speed and Trixie pucker up, Spritle warns fellow youngsters that "the following image may be unsuitable for the inoculated or cootie-sensitive viewers".
Here’s one very good reason why Evelyn Waugh’s magnum opus Brideshead Revisited has never been adapted for the big screen before.
We were walking through lush grass towards a magnificent sucking herd of Aberdeen Angus cattle. Not a single creature moved as we approached; only a red kite flying overhead disturbed the scene. These beautiful creatures remained calm and comfortable and continued grazing despite our presence.
Oxford United's new chairman has issued an open invitation to fans, who have suggestions and thoughts about ways to improve the club, to come and see him.
I am far from being a fan of the burger, perhaps as a result of the horrors I inflicted on myself in youth.
VAL BOURNE on an American producer's rich variety of colourful heucheras
Staging a an epic work such as Thomas Hardy’s Far from the Madding Crowd is an enormous challenge — but director Kate Saxon is convinced she can bring this story of love and loss to life without presenting pastoral cuteness or melodramatic hysteria. She promises there will be neither fluffy sheep nor windswept clinches in the English Touring Theatre’s production, at the Oxford Playhouse from Tuesday to next Saturday.
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